Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no more have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Origami facile
Kent du Pre has done such Avion En Papier Planeur Facile A Faire focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, but the most extreme form occur in Paper Miracle with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course closely related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama Avion En Papier Qui Vole Le Mieux Au Monde is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other Youtube Video Bateau En Papier to avoid the complexities of a model achieved only by folding.
Fleur origami
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modeling particularly if foil has been used and one can be certain of the materials remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated by Origami Owl Lanyard Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is talked about by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and are approaching statue rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the conclusion to show the multi-layers
usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to represent some part of the animal and then brought collectively. The concept may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a monster from a quantity of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme combos of water and document we are, naturally , in the world of fun which is evidently an open-ended art. DecoratingThe most basic step from a single coloring is one side female and one white or plain. A great deal of modern Origami uses this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of Origami Paper Crane decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The cutting out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form organic beef use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.